Download Mad Scenes and Exit Arias: The Death of the New York City Opera and the Future of Opera in America, by Heidi Waleson

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Mad Scenes and Exit Arias: The Death of the New York City Opera and the Future of Opera in America, by Heidi Waleson

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Review

“An intricate whodunit that seeks to find out who murdered the New York City Opera . . . In describing the unraveling of this noble civic enterprise, Waleson gives us a vivid description of each death-defying crisis and a sharp portrait of the ever-changing cast of would-be saviors who somehow always failed in their mission.” ―Edward Sorel, The New York Times Book Review“Heidi Waleson has written much more than the story of a beloved opera company’s demise―though she does that with verve, wit, a sharp journalistic eye, and deep critical wisdom. She chronicles a venerable art form undergoing a difficult but inevitable evolution, and you finish the book with an unexpected sense of hope.” ―Alex Ross, author of The Rest Is Noise“Thoroughly researched, factually detailed, judgmentally well-balanced, and engrossing.” ―Opera“In this richly informative chronicle of NYCO’s decline and fall, Waleson persuasively argues that what happened to City Opera (and, by extension, the Met) could happen to other opera companies as well.” ―Commentary“Heidi Waleson has delivered a detailed account of the struggles of one of the nation’s most storied opera companies. She goes beneath the surface to examine the underlying social and demographic changes that have shaped New York’s cultural scene over the last half-century and explores essential issues of governance and leadership. It is the story of one organization, with lessons for all.” ―Marc A. Scorca, President and CEO, OPERA America“Heidi Waleson gives a vivid account of the twilight and fall of NYCO―an almost operatic fable of oversized egos and misplaced trust―and shows what the demise of the original ‘People’s Opera’ may mean for the future of opera and classical music. Truly, a cautionary tale. Her deft analysis and knowing grasp of the material make this essential reading for anyone who cares about opera.” ―Charles MacKay, former general director, the Santa Fe Opera“Meticulously researched, Mad Scenes and Exit Arias is both a gripping read and a cautionary tale for all lovers of opera and the arts in America today. Yet Heidi Waleson ends not with pessimism but optimism, about the bracing changes transforming American operatic life today.” ―John Rockwell, former arts critic of The New York Times and founding director of the Lincoln Center Festival“Drawing on extensive research and reporting . . . Waleson’s in-depth study illustrates the challenges City Opera―and other opera houses―face in the 21st century as they seek to preserve tradition and innovate.” ―Publisher’s Weekly“A thorough recounting of the tumultuous history of the New York City Opera [and] a cleareyed examination of the economic fragility of cultural institutions.” ―Kirkus Reviews“Illuminating . . . engrossing . . . will be of extraordinary interest to anyone invested in the future of the performing arts.” ―Library Journal (starred review)

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About the Author

Heidi Waleson has been the opera critic of the Wall Street Journal for 25 years. In addition to her regular criticism, her work has also focused more broadly on the changing profiles of musical institutions, new models for opera presentation, and the broader significance of opera and culture. She is a faculty member of the Rubin Institute for Music Criticism at the San Francisco Conservatory of Music.

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Product details

Hardcover: 304 pages

Publisher: Metropolitan Books (October 2, 2018)

Language: English

ISBN-10: 9781627794978

ISBN-13: 978-1627794978

ASIN: 1627794972

Product Dimensions:

6.5 x 1.1 x 9.4 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#207,597 in Books (See Top 100 in Books)

This book has been extremely well researched giving me (a former NYCity Opera singer) some background information I was not previously aware of, thus increasing my already-substantial respect for Julius Rudel and others involved in the evolution of the company from downtown to Lincoln Center. Without the European approach to the arts, with financial support from the government, taking on this task in America is a monumental effort requiring equal portions of foresight, talent and vision, making a success medal-worthy. Waleson's writing style keeps me glued to the book for the following info. I'm now about two-thirds through it.

I would think that anyone concerned about *any* professional performing arts institution would find *Mad Scenes* interesting. And it should be required reading for any board member of such an institution.

Yes, it's written more like a business profile than a book about opera, but such accounts aren't easy to come by. The last chapter, which highlights new directions in US opera production, is informative, but the complete story of the NYCO's rise and fall is very interesting as well. NYCO may have had cheap ticket prices, but it was still a plaything for the wealthy people who made up the board.

I liked the straight forward approach to the reasons the NYCO is no more. Having worked there, it answered lots of questions for me.

interesting read

This book is a “must read” for anyone who cares about the future of opera in America.

I wanted to perform a death scene on stage while singing a tortured aria, because my heart was so broken after reading Mad Scenes and Exit Arias: The Death of the New York City Opera and the Future of Opera in America. I come from Cincinnati, where our storied opera company used to perform at the Cincinnati Zoo, where elephants once duetting with coloraturas. And a good friend’s son directs our current opera crew, so this totally engrossing account hit close to home.Heidi Waleson, Wall Street Journal opera critic, offers a stunning narrative history of New York City Opera’s bankruptcy and what it portends for the future of the arts. Beautifully written and extensively researched, Mad Scenes and Exit Arias views the opera’s demise as not just the loss of a beloved institution, but as a harbinger of what’s to come, with lessons learned about needed change for cultural institutions to thrive. Highly recommended for all opera buffs and those concerned about the future of arts in our country. 5/5Pub Date 02 Oct 2018Thanks to Henry Holt & Company and NetGalley for the review copy. Opinions are fully mine.#MadScenesAndExitArias #NetGalley

According to the coroner, in 1975, Norman Treigle's death “was definitely not a suicide,” despite what the author writes in this new book. The official report declared the same, and the various life-insurance policies were collected, etc. The details were published, in 2006, in "Strange Child of Chaos: Norman Treigle." As Michael Devlin (Treigle’s protégé and “second son”) told me, if you think it a suicide then “you know something I don’t know.”

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